I've had a few requests for information on how I base my miniatures so here's a walkthrough. First, the contents of my basing materials drawer: grass tufts and static grass of various shades, flocks of various hues, modellers grit of different grades, talus, field grass, torn up wine corks, slate chippings, a bit of my neighbour's old door mat and some dried up sweet chestnut cases.
Two one and a half inch square pieces of cardboard as bases, liberally spread with PVA.
Some slate chippings for rocks on the left (this one will be a lush green base) and some slate and torn cork on the right (this will become an arid base).
Next grit. I have containers with various grades and one which has a mixture of fine and grit and fine talus.
Some slate chippings for rocks on the left (this one will be a lush green base) and some slate and torn cork on the right (this will become an arid base).
Next grit. I have containers with various grades and one which has a mixture of fine and grit and fine talus.
Apply grit to PVA. The base on the left is half covered with fine grit/talus mix and half with very fine grit. The base on the left is completely covered with the fine grit/talus mix.
Note the change in texture on the left hand base. I've added four pieces of slate as well.... for a reason!
Next both get a coating of Burnt Sienna coloured ink.
with Foundry Granite B then C.
Then the grit gets a drybrushing of this excellent earth tone paint from Miniatures Paints (I'm not sure that you can still get this... good job I have plenty more).
Then a light drybrushing with Vallejo Model Colour USA Tan Earth.
Now the fun bit. A few grass tufts, dark and light, and a "weed" tuft.
Now the fun bit. A few grass tufts, dark and light, and a "weed" tuft.
Some dark green flock.
And then some mid-green and light green flock.
Some short bits of field grass glued into the place where the four pieces of slate meet and form a convienient hole to support this material as the glue dries.
Now for the arid base. The rocks get a drybrushing with Foundry Base Sand A, B, and C with a final highlight of Vallejo Model Colour Pale Sand.
Some short bits of field grass glued into the place where the four pieces of slate meet and form a convienient hole to support this material as the glue dries.
Now for the arid base. The rocks get a drybrushing with Foundry Base Sand A, B, and C with a final highlight of Vallejo Model Colour Pale Sand.
3 comments:
Nice tutorial!
Thank you!
Great work Mark !! Thank you
Best Regards Carlo Antonio
great work and thanks for sharing. I am slowly growing to enjoy the base work as much as the painting. (taken long enough)
Peace James
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